I begin with my hands...
Hands are tremendously important in our dances with horses.
This is a brief description of how they convey intent and meaning.
Hands
I begin with my hands.
One hand placed on the shoulder. My palm is fully in contact with the muscular contour of the horse's shoulder. I find a gentle anchor with the heel, palm and fingers and adjust my chest, pelvis, legs and shoulder girdle so that I can feel my point of contact falling through my vertical skeleton and simultaneously into the vertical skeleton of the horse's shoulder girdle.
I can rest my hand there for a while. As the horse shifts I keep my hand there and readjust my body. If there is a large weight shift I disconnect. Here the score diverges in several possible directions. If the movement is a turn of the head, my body will spiral with the directionality of the head. If the horse moves his feet I shift with him. If he drops his head to graze, I lower my torso, legs straight, til my fingers touch the ground.
Again the score diverges here. I can either place my hands on the ground in front of me, reaching as far as possible before I settle my weight into my hands and finally fold into lying into with my weight resting onto one elbow.
Or I can remain in that poised pike position, listening to the rhythm of pulling grass and chewing. With my next action I try to match that grazing and chewing pace. I pull up a handful of grass up and toss it, first randomly, then with slight intention towards the horse. A horse can feel a fly on his back. So the tossed grass elicits an attentive response. I time my pull and toss to the horse's pull and rhythmic chewing.
Now he is listening to me. I can shift the rhythmic pressure from tossed grass to a rhythmic flicking of the hands. Or arms. How and where the horse moves his feet, I mirror the motion. Exactly. Matching center of gravity. Matching weight, matching speed, matching the flow of the muscles as they contract and release.
He moves forward. I match his legs. Right for right. Left for left. If the movement continues I continue.
Usually at this juncture there is a pause, a checking in. He begins to follow me, sponging off my sense of time and flow.
Now we are in direct dialogue.
Posted by
JoAnna Mendl Shaw on October 16, 2007 11:11 AM
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Hi I'm one of Ruth Clarks students, she told me about your project. I've been riding horses since I was three years old and have two of my own. I was wondering where you are based out of, I would love to work with you since I am currently looking for an intership and this seems like the perfect job for me. Please contact me at : Brittanyindie@gmail.com