August 27, 2008

Choreographer and Video Artist Jillian Peña Needs Our Help!

Please see this heart-felt email from Miguel Gutierrez about dancer/choreographer/video and performance artist Jillian Peña who sustained critical injuries after being hit by a car two weeks ago. The driver was unlicensed, and Jillian, like many of us in the dance community, does not have health insurance. She needs all of our support right now. Please consider giving a donation. Details below.


Hello

I hope this email finds you well.

I am writing you to ask you for your support for my dear friend Jillian Peña.

You may or may not know that Jillian, who is a dancer, choreographer and video artist, was hit by a car in New York 2 1/2 weeks ago in Brooklyn, NY. This article in the Post has some of the basic information about it: http://www.nypost.com/seven/08122008/news/regionalnews/promising_dancer_hit_by_auto_124057.htm

Since then she has been at Bellevue Hospital in Manhattan. She was admitted with two hematomas in her head, underwent multiple surgeries, and is now progressively waking up from a coma.

Despite the gravity of the accident and the anxiety of the past few weeks, I believe that Jillian is definitely on the road to recovery. I have been inspired and heartened by the amount of improvement in her condition in just the past 3 days. Yesterday she was transferred from the Intensive Care Unit to the Rehabilitation floor of the hospital, which, in and of itself is cause for celebration.

For updates and info on her situation, you can go to friendsofjillian.blogspot.com

Unfortunately, as with so many artists and working people in this country, Jillian doesn't have health insurance. The medical costs will be staggering. In addition, her parents have re-located here indefinitely from their home in New Mexico, and it will be a huge expense for them as well to stay in NY during Jillian's rehabilitation.

A paypal account has been set up to receive financial donations to alleviate the financial hardship that Jillian and her family are experiencing at this time. Please consider making a donation on her behalf. ANY amount, any number of times that you can give it, will be invaluable for her and for her family. I know this is hardly a time when people have extra cash, but please know that this donation will provide immediate and much needed assistance. No donation is too small or too large.

To donate, go to paypal.com and sign up for an account (takes literally about 2-3 minutes) and then go to the "Send Money" tab and make the donation to:
donations4jillian@gmail.com

Again, please consider making a donation on behalf of Jillian and her family today. With help from as many people as possible, we can keep the focus on Jillian's recovery.

And of course, feel free to pass this email on to as many people as you like.

Thank you
Miguel


www.miguelgutierrez.org

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August 26, 2008

See Footage From My New Videodance, "Fünf 'n' Twist" at the September Dance Film Lab

Next Tuesday (Sept 2nd) I'll be showing brand new footage from my latest videodance project, Fünf 'n' Twist. Two weeks ago I shot the prom scenes for this surreal Busby Berkeley-esque, satire that oozes with kitschy Americana, German expressionism, and Jungian symbology. Come see what a raw videodance looks like before it gets cooked!

Details:

The Dance Film Lab is moderated and organized by Zach Morris (Third Rail Projects), produced and run with the assistance of Kathleen Green, and in cooperation with the Dance Films Association. Hosted by Dance Theater Workshop, this salon brings dance filmmakers together to present raw footage, drafts, works-in-progress and newly finished films to their peers for constructive feedback, to share information, and address technical, practical and artistic challenges. The lab is free and open to the public, though reservations are necessary.

For our upcoming September 2nd Dance Film Lab, where we'll be screening the work of Leah Kelley Xylona and Anna Brady Nuse.

Dance Film Lab, Tuesday, September 2, 2008 8-10pm
at Dance Theater Workshop (DTW)
219 West 19th Street (between 7th and 8th Avenues)
Phone: (212) 691-6500 Click Here for DTW's website.
Please contact Zach Morris to RSVP.
 
 (please note: Zach will out of town August 24th to the morning of September 2nd.  During this time he will not be responding to emails, so if you email him, simply consider your RSVP confirmed).

Photo credit: Production still from the set of Fünf 'n' Twist, directed by Anna Brady Nuse (Tika pictured as the Matron). photo by Susanna Christians.

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August 19, 2008

The Making of FÜNF 'N' TWIST

For the last three weeks I've been completely consumed by my videodance project, Fünf 'n' Twist. Last Thursday and Friday we shot all the prom scenes of the video, and it marked my first time directing (and producing) an indoor shoot.

Kerrie Welsh & J Why, on set of Fünf 'n' Twist. Photo: Susanna Christians

Through a monumental effort on the part of my cast and crew, we got all the essential shots done, including a tricky Busby Berkeley-esque overhead shot that required my DP, Kerrie Welsh, to climb a 16 foot extension ladder and mount her camera to the side with a hi-hat and rachet strap.


Fünf 'n' Twist - Twist Dance Storyboard from Anna Brady Nuse on Vimeo.

This storyboard is of the twist dance scenes of the video. Originally I was also going to shoot a slow dance scene that would have more of an 80's feeling. However on the first day of shooting we were getting very behind schedule, and I realized the slow dance scenes would have to be cut. I had already decided that they weren't so essential to the story line, and in some ways they might have even detracted from the overall piece. The twist dance is at the opening of the video, and the dance along with the music will set up the themes of authoritarianism & rebellion, fear, sex, and that in between place I'm calling fünf, as well as point towards America's cultural adolescence in the second half of the 20th Century.

Production still of Fünf 'n' Twist. Photo: Susanna Christians
Remarkably we were able to shoot all of the scenes I had envisioned without any major compromises. My dancers pulled off the choreography that I came up with on paper. Donna Costello and Matt Sweeney, the two leads, rehearsed the choreography with me ahead of time and then taught it to the other three couples on set.

The dancers all handled the surprises I threw at them with poise and a can-do attitude. This included asking the guys to flip off the girls' backs from a bridge position and do a cartwheel from the left side. The latter request wasn't possible for all the male dancers to do, but our grip, Stephen Long, stepped in to save the day. With a background in gymnastics he put on the tux and performed the cartwheel perfectly, earning a second credit of "stunt double."





Now I just have one more scene to shoot, which is a "flash-forward" scene of the lead couple holed up in a dingy tenement with paper walls. I won't give away the details, but I'm hoping to raise the funds and resources to shoot these scenes in early '09. In the meantime I'll be working hard along with my composer/collaborator, J Why to create a rough cut of the finished scenes to screen here in New York before the end of the year.



Here is a video study of the final scenes of the film, when the boy and girl escape the prom and run into a wild overgrown city park to "get it on." Instead of portraying the cliche sex scenes literally, I decided to portray them in a ritualistic metaphorical way, where we see the inner feelings of the characters portrayed outwardly in symbolic imagery.

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