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About
Since 2005, Doug Fox's blog has covered the intersection of dance and the Internet. A primary focus is to help dancers and dance companies use the Internet and their dance videos for marketing, educational, creative and revenue-generation purposes.
Email Doug Fox with inquiries, questions and feedback about Great Dance.
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The problem is with image control. The companies want to have full control over their image all the time. They want to see themselves in press the way they conceive of themselves in their heads.
As there isn't enough money in dance, the division between artistic director and financial/promotional director is usually not wide enough for there to be someone with some distance to insist on photos. Bigger companies like Opera de Paris or National Ballet of Canada actually make sure to do a lot of photos and to offer them to the press.
Anyway those are my current thoughts. As an example, my own photos of Chris Haring's Some Kind of Heroes are nothing like the way he imagines his work (his photos are very different). While his photos represent his more darker vision of Some Kind of Heroes, my photos reflect more accurately the performance and what the spectators actually saw.
In normal circumstances, Chris's photos would be all that we would see. I would like to see more performance photos (as opposed to conceptual/image photos) in dance. A lot more of them.
Your point is well-made. Promotion of dance is really inadequate. But in some ways choreographers/companies have only ourselves to blame.