Great Dance
Great Dance Blog



May 3, 2007

Are Your Online Videos "Legal"?

To follow-up my post "New International Dance Association Needed," in which I touch upon the topic of how to properly license music for your online videos, I want to address important intellectual property and contractual issues.

Over the next few years, dancers and dance companies can potentially generate millions of dollars as a result of new and expanded online distribution options for high-quality videos.

Yet, there are a number of legal issues that have to be dealt with now in order for dancers to benefit from these online opportunities.

1) Are you properly licensing the music that you incorporate in your online dance videos - whether you are distributing performance, instructional, documentary, rehearsal or other video genres?

2) If you are running into trouble licensing the music you want, are there other approaches such as royalty-free music you can pursue?

3) Do you have permission from dancers/instructors in your videos to distribute them on the Internet? Do you have written agreements? Do dancers get paid a specified amount or do they get a percentage of potential revenue?

4) Do you have similar agreements with lighting designers, set designers, and costume designers to feature their work in your videos? Since all of these artists have a potential claim to their creative output, any use of their work has to be explored upfront and should be in writing.

5) What limitations, if any, are there on videotaping dancers? This is an especially important question when there are union contracts between a dance company and dancers. Some of the contracts I've read make it just about impossible for videos of these dancers to be distributed in just about any format. So it seems that it is in the interest of dance companies and the unions that represent dancers to renegotiate the use of online video in their contracts.

These are just some of the intellectual property and contractual issues that come to mind. I believe the online economy - especially in the form of videos - can contribute in significant ways to helping dancers earn more money. But it will be very difficult to move forward unless the above and related questions are addressed in a comprehensive, industry-wide manner.

How-to Address These Topics

It seems that the best way to move forward on these IP and contractual issues is by holding some type of online forum where representatives of all the important players are brought together both to learn about the key issues as well as to figure out how to move forward in a way that benefits all parties.

Participants in such a program would include different types of dancers (union/non-union, professional, competitive, amateur and others), choreographers, dance company managers, unions representing dancers, musician representatives, music licensing groups, video hosting and distribution companies, IP and corporate lawyers and other groups that can shed light on these topics and offer direction.

If you have thoughts on above or how this type of initiative might be realized, please share your ideas.

Posted by Doug Fox on May 3, 2007 9:24 AM

Trackback Pings

TrackBack URL for this entry:
http://greatdance.com/mtadmin/mt-tb.cgi/720

2 Comments


Anna Brady Nuse said:

Hi Doug,

Thanks again for raising such great forward thinking questions! The legal aspects you raise are really pertinent even to choreographers and dance companies who are only focusing on live performance. The reality is that every performance gets videotaped these days, and there are more and more ways that video is important to marketing and producing dance. I think that all directors/producers/choreographers should be preparing for this, and having their collaborators and dancers sign release forms and contracts ahead of time that takes this reality of an afterlife on video into account. I don't know much about unions, but it seems clear that contractual negotiations need to take place so that everyone can benefit from this.

One idea for the music licensing issue is to compile a directory of composers who do work for hire for much lower rates than major recording artists. My husband is a composer and has been getting more and more jobs lately to write music for film and video that is similar to the sound of a more expensive commercial audio track the directors want to use. He's great at this and would like to get more work in this vein. I am sure there are a ton of composers coming out of schools that need work. The international association you propose could help connect choreographers and dance video-makers with these composers.

Also, young bands who need music videos could collaborate with dance video-makers to help them produce their videos in exchange for free music rights. I have a videodance-maker friend who works exclusively with underground punk bands. She makes incredible, edgy, cool dance videos that also serve the bands' interests. You can see her videos at http://www.videoart.net/home/Artists/ArtistPage.cfm?Artist_ID=997

A large scale forum sounds like a great thing, but I'm skeptical about the more established industries being proactive. If you look at the music business right now, the large labels are not coping well with the download revolution, it's the smaller underground labels that are adapting to change and actually making a profit. I think grassroots groups and blog forums like this are the best way to go right now. If we can share our small successes and compile the information, new pathways will emerge.

Good luck sparking the movement!

best,
Anna

Added: May 8, 2007 5:07 PM | Permalink

Doug Fox said:

Anna,

Much thanks for your comment. I started a new post to address and expand upon the issues you raise:

http://greatdance.com/danceblog/archives/news_and_commentary/000835.php

Added: May 9, 2007 8:11 AM | Permalink

Leave a Comment



© 2007 Great Dance. All rights reserved.
Great Dance is a registered trademark.