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April 24, 2006

Crossing Flash Mobs and Site-Specific Performances

What would happen if you crossed a site-specific dance performance with a flash mob? I'm not sure, but you'd probably generate a large, engaged audience.

A flash mob is when a group of people -- who may or may not know each other -- use the Internet to arrange a public gathering to perform a specific act that takes place at a specific time and location. A dance flash mob would be when a group of dancers agree to meet at a designated location to dance for a few minutes and then disappear into the crowd. Here's an example of an Argentine Tango flash dance mob in Vancouver:

Argentine Tango Flash Mob

Or a more recent example of a flash mob took place at the University of Florida earlier this month to recreate a banned Xbox TV commercial that never aired. Here's the bizarre video of this recreation on YouTube:

Xbox Flash Mob

The above flash mob is based upon a commercial that Microsoft never ran probably because of the excessive simulated violence -- just about everybody in the video is pointing their fingers at others as if they are going to blow each other's heads off. You can watch the original commercial:

Xbox Commercial

What I find interesting is that within 12 days almost 50,000 people watched this University of Florida flash mob, which gives you an idea of what types of videos are most popular on YouTube -- ones that are inane, silly and meaningless. But I still think that there is some value that can be taken from this video and its success.

What is it about flash mobs that intrigue people? Why do people participate in flash mobs? Why do others want to watch videos flash mobs? I think it has to do with the compelling nature of spontaneous collective action. It's also an intriguing premise to consider how digital communication tools can be leveraged to bring strangers together within a very short time-frame to act in unison.

I was thinking about flash mobs when I came across a write-up on the Networked Performance blog for the upcoming Sitelines 2006 series of site-specific performances that is organized by the Lower Manhattan Cultural Council. You can view a map mashup that shows the locations for all of the performances:

Lower Manhattan Cultural Council Mashup

The program kicks-off in Early May with a performance by Benoit Maubrey's Audio Ballerinas, which features dancers that wear "electro-acoustic clothes and dresses that make sounds by interacting with their environment."

Audio Ballerinas

I haven't figured out the answer to my opening question about the end result of crossing site-specific dance performances and flash mobs. But there must be something fun and intriguing that can be created - especially when you start with an outside performance by a technology clad dance troupe. So I ask you: how would you add a flash mob component to this performance to get more people involved and build greater levels of excitement and interest around this event?

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Posted by Doug Fox on April 24, 2006 9:02 AM

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2 Comments


susan said:

My company perfomed audio ballerinas in the early 90s with Benoit at the Cleveland Perfomance Art Fest.
It was a blast. We dragged the lawn rakes with pick up mics on them though the new fancy mall downtown which made a deafening screechy noise as the dancers in black unitards, high heels and dark glasses paraded like mute Barbies. Later that evening, we changed the frequency on the tutu's recorded loop by adjusting the rheostat on the bar lights the dancers stood under. The the more light the solar cells recieved, the faster the loop played! It was awesome! One day in a busy downtown food court, we played 6 different radio stations at once as we meandered through the crowd.
We did about four different perfomances over the course of the weekend.
Those were the days!

Added: July 20, 2006 9:56 PM | Permalink

A member of FlashmobUF showed me this article today. I wish I had found it sooner! I think I can answer some of your questions. Since starting Flashmob UF in the Fall of 2004, the group sees a huge spike in membership after each Mob. I credit this to word of mouth. One current member tells a friend to be at the site of a Mob, said friend sees Mob, then the friend joins. I think, whether in a college setting or elsewhere, like a large city, it's the idea of escape from the usual routine that gets them involved. You mean I can spend 3 minutes going from boring class A to boring class B and participate in a giant conga line for no reason? Sign me up!

Your 6th graf nails it. People see the group and they want in. They see it almost as a secret society, with only a few people who know what's going down until it goes down. Leveraging digital communication tools? You bet! I use a Facebook.com group to organize each Mob. Only members receive the messages with instructions. Also, the main reason for this video's large play on youtube was it's video game nature. Once video game bogs and sites got a hold of it, the hits just kept on comin.

Combining a dance performance would easily work with a large dance troupe. As long as the performace comes from nothing and disappears as if nothing happened, you got yourselves a Mob. The audience, like our audiences, become intrigued. They want to know why this strange event has happened, and they will do their research to find out.

I know it has been a while since this post was made, but I hope this helps answer your questions. Feel free to e-mail me at PDuffy01@ufl.edu if you have any more questions.

Sal "The Man in the Orange Hat" Picataggio, Founder, Flashmob UF

Added: July 24, 2006 10:48 AM | Permalink

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