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About
Since 2005, Doug Fox's blog has covered the intersection of dance and the Internet. A primary focus is to help dancers and dance companies use the Internet and their dance videos for marketing, educational, creative and revenue-generation purposes.
Email Doug Fox with inquiries, questions and feedback about Great Dance.
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- New Posts on The Kinetic Interface Blog
- Latest Posts on The Kinetic Interface Blog - Introducing The Kinetic Interface Blog - New del.icio.us Links for New Blog - My New Blog Launches Next Monday on Great Dance - Preparing for New Blog - Great Dance Home Page Update - Kinetic Sculpture Vs. Robotics -- What's the Difference? - The Exhilaration of Nailing the Rhythms of Dance Music - "Movement Scores" from Non-Dancers: Integrating Dance into Contemporary Discourse - Makeda Thomas Needs Your Support to Create Dance for Augusto Cuvilas - What Do We Ask of Viewers of Our Online Dance Videos? - Danciti and Article19 Are Off the Mark in Their YouTube Criticism - Yesterday's Internet Session at Dance/NYC - Internet Session at Dance/NYC on Tuesday, February 26th
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I started blogging almost 2 years ago; I wanted to write about my obsession with New York City Ballet. Up to that time I had been a frequent contributor on Ballet Talk but there were too many restrictions on that site as to what you could or could not say. So I started my own blog.
It's really about more than dance because I also love opera, tennis, reading, other kinds of music, movies and more. But when NYC Ballet is in town, they become almost the exclusive focus.
Via my blog I have connected with people around the world who love to read detailed descriptions of performances happening here in NYC (both dance and opera); many of my readers are former NYC residents who were City Ballet fans when they lived here and who now love to stay connected by reading my write-ups. I don't consider myself a critic or even a reviewer; I just observe, and then I write about what I saw and how I felt while watching. My readers know they can find background info on the ballets and all sorts of 'intellectual' discourse elsewhere; they read my blog to find out who danced what and how they looked.
What surprised me about blogging? The sheer number of readers, the unexpected discovery of finding I've been translated into every language from Greek to Japanese, and the messages I get from total strangers. Now my mind in boggled by knowing that over a thousand people read what I wrote about a performance at City Ballet within 24 hours of the event.
In mid-2007 my blog started to reward me with 'insider' invitations to unadvertised events; I began to be offered press tickets to various venues - some of which I might not have explored on my own but which turned out to really expand my universe. Just recently I have been thrilled to receive press passes to NYC Ballet which is a huge benefit for me because I simply could not afford to go as often as I would like. This allows me to go even more frequently, stoking my passion!
I'm a very shy person and I have always written as an outlet for my hyper-active emotions. In a way blogging has drawn me out of my shell: meeting other bloggers, my readers and some of the people directly involved with ballet and opera. Because of my blog I formed a very close friendship with the Cuban-American soprano Lisette Oropesa after I asked her for an interview; her friendship is one of the loveliest and most meaningful of my life. More recently I interviewed one of my balletic idols, Edwaard Liang, and am looking forward to meeting him if I can ever work up my courage. (The interviews were conducted via e-mail and I only met Lisette afterwards).
When people tell me they tried a ballet, read a book, watched a film, focussed on a dancer or listened to an aria because of something I wrote - you can't believe how great that makes me feel.
Finally, I have to thank my enormously patient and beautiful partner Wei who puts up with my obsessions - he is my greatest obsession of all.